Magazine LALIQUE 2025

MAGAZINE

TIMELESS SINCE 1888

ISSUE 2025

PRIVATE WEALTH MANAGEMENT

FOR YOUR COMMERCIAL AND RESIDENTIAL LONDON PROPERTY

• SEARCH AND ACQUISITION • DESIGN AND REFURBISHMENT • SALES AND LETTINGS • MANAGEMENT SERVICE

PORTMAN HERITAGE ARCHIE RIBY-WILLIAMS TEL: +44 (0) 7831 687 231 EMAIL: archie@portmanheritage.com GABRIELA KULICHOVA TEL: +44 (0) 7771 512 953 EMAIL: gabriela@portmanheritage.com

ABOVE LEFT

ABOVE RIGHT

COMMERCIAL FREEHOLD GRAFTON STREET, MAYFAIR A prestigious Grade I Listed Freehold office building in the heart of Mayfair. SOLE AGENT

RESIDENTIAL FREEHOLD SOUTH STREET, MAYFAIR A completely redeveloped Freehold Mayfair mansion with direct access to large private gardens. SOLE AGENT

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PRESS RELEASE

20 YEARS OF PASSION IN THE BORDEAUX WINE REGION 2005-2025

Silvio Denz has been sharing his passion for wine through a number of major projects in Saint-Émilion on the Bordeaux right bank since 2005. This is a 70-hectare refuge that skilfully combines wine, nature, heritage and art. Silvio Denz’s story in the Bordeaux region began in 2005 when he acquired three estates set within a wonderful natural amphitheatre: Château Peby Faugères, Château Faugères and Château Cap de Faugères. That very same year, Château Peby Faugères was given a perfect score of 100/100 by the famed critic Robert Parker. A fantastic omen… This passionate collector acquired the estates with high ambitions of propelling them among the ranks of the elite. Following his purchase of the French Lalique crystal works in 2008, Silvio Denz gave the Château Peby Faugères bottles their own identity by decorating them with a René Lalique engraving entitled ‘Blackbird and Grapes’ from the 2009 vintage onwards. With the help of architect Mario Botta, in 2009 he began constructing a fully gravity-fed winery to preserve the grapes and their aromas. A range of work was also undertaken in the vineyards to reveal the very best of each terroir, and thus give every wine its own particular personality.

Vignobles SILVIO DENZ ART & TERROIR

Château Lafaurie-Peyraguey, Lalique Hotel & Restaurant**

In 2014, Silvio Denz expanded his horizons and took over Château Lafaurie-Peyraguey, a Sauternes Premier Grand Cru Classé in 1855. It has since been transformed into the Lalique Hotel & Restaurant and boasts two Michelin stars – in just a few years, it has become a true temple of wine and crystal. The Lalique group purchased the estate in 2023, becoming the owner of this hugely prestigious Sauternes winery. Work is continuing in Saint-Émilion thanks to ongoing projects with architect Mario Botta, and in particular the construction of a winery for Château Peby Faugères in 2021. This state-of-the-art facility was designed to serve as a refined, elegant setting that perfectly combines the art of wine with the art of crystal. Vineyard teams are working to preserve their terroir and are committed to a conversion process that was officially recognised with Château Peby Faugères and Château Rocheyron being awarded the Organic Agriculture label in 2020. 2025 will thus mark the culmination of twenty years of working to listen to the vine’s needs, the terroir and technical requirements, creating a mature operation that skilfully combines exacting standards with a passionate approach to offer a wealth of emotion to all wine enthusiasts.

The Château Peby Faugères winery, designed by architect Mario Botta

In 2010, he and his friend Peter Sisseck purchased Château Rocheyron on the Saint-Émilion limestone plateau. Good environmental practices are the focus of the winemaking activities at this estate. Organic growing, biodynamics, keeping a close eye on the vine’s needs: these are the principles that the team follows on a daily basis. A few years later, in 2012, the Saint-Émilion classification rewarded these efforts by promoting Château Peby Faugères and Château Faugères to the rank of Saint-Émilion Grand Cru Classé.

The Château Peby Faugères winery, designed by architect Mario Botta

Engraving “Blackbird and Grapes” René Lalique 1928

“Calyx” engraving, created by Lalique in 2016

Engraving “Woman and Grapes” René Lalique 1928

Saint-Émilion Grand Cru Classé status renewed for Château Peby Faugères and Château Faugères — 30 years of consulting by Michel Rolland — Château Rocheyron gains Biodyvin certification

Lalique’s “Calyx” engraving first appears on the Faugères bottle

Estates (Peby Faugères, Faugères and Cap de Faugères) purchased by Silvio Denz with the help of Michel Rolland and Stephan Von Neipperg

Takeover of the Lalique crystal works, a French manufacturing company based in Alsace

Lalique’s “Blackbird and Grapes” engraving first appears on the Peby Faugères bottle

Peby Faugères and Château Rocheyron gain Organic Agriculture certification

Château Peby Faugères and Château Faugères become Saint-Émilion Grand Cru Classés

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Hundredth anniversary of first Merlot plot being planted at Château Faugères in 1925 — Silvio Denz celebrates twenty years in charge of his vineyards

Official opening of the Lalique Hotel Restaurant** at Château Lafaurie Peyraguey

Château Peby Faugères rawarded a score of 100 points by Robert Parker

Château Rocheyron purchased with Peter Sisseck

Purchase of Château Lafaurie Peyraguey Sauternes Premier Grand Cru Classé

Official opening of the Château Peby Faugères winery, designed by architect Mario Botta

Official opening of the Château Faugères winery, designed by architect Mario Botta

EXCESSIVE DRINKING IS DANGEROUS FOR THE HEALTH; ALCOHOLIC BEVERAGES SHOULD BE CONSUMED WITH MODERATION.

CONTENTS

9

Editorial

NEWS 11

At a glance

ART & DESIGN 20

Edificio by Rudy Ricciotti A tribute to the arts

LIFESTYLE 25

Lalique’s Maison d’Artiste in New York

SPIRITS 31

FUTURING NATURALS

Lalique & Château Lafaurie-Peyraguey

34

Aberturret: a Scottish dower house to call home

43

Beluga Epicure Series II

DECORATIVE OBJECTS 50 Terramineral The power of the Earth

JEWELLERY 58

Terramineral Crystal stones: when strength meets fragility

PERFUMES 62

Magma, crystal edition 2025

64

Ury: behind the scenes of Haute Parfumerie

HERITAGE 66

Marc and Marie-Claude Lalique The heirs

©Fabien Voileau

Cover: Magnitude vase ©Fabien Voileau

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EDITORIAL

S ince its very inception long ago, Lalique has always prized artists. Created by René Lalique during the aesthetic effervescence of the late nineteenth century, the brand has constantly striven to bring technical expertise and creativity together under one roof. It was thus with great pride that its latest flagship was inaugurated in New York early 2025, under the name “Maison d’Artiste”, a tribute to the long-standing link between Lalique and art. Housed in a historic building in the heart of the Upper East Side, this home to the arts is being revealed for the first time in this magazine (see pages 25-28). You are cordially invited to explore its five floors which, from the Véranda des Sens to the Lalique Interior Design Studio – without forgetting the Lalique Art gallery – were designed to be a treat for our guests’ senses. Feel free to take your time... Back in Europe, Lalique Group is also delighted to welcome you to Aberturret Estate House, a historic manor tucked away in the paradise of Scotland’s natural landscapes, which has been enchanting visitors for several months now (see page 34). Still in Scotland, The Glenturret has also announced the launch of The Aberturret Gin, a fusion of heritage and tradition with an innovative approach to the genesis of gin. As an aficionado of sophisticated concoctions for several years at this point, the crystal-making company is also sharing its latest collaboration in this area: Beluga vodka and Lalique have come together to present the second act of their limited edition collection of spirits and decanters under the banner Epicure Series II . As winter ends, Terramineral will spring from the ground, bringing a collection of vases, perfumes, jewellery, and other objects as a tribute to the Earth and a voyage through the mineral world (see page 50). Dreamed up by Artistic and Creative Director Marc Larminaux and his team, the sensual design of cracked and fault-riven earth takes the material to new heights. This French savoir-faire , specific to Lalique, is also what struck Rudy Ricciotti. For months, the architect behind the Mucem – the Museum of European and Mediterranean Civilizations in Marseille – worked tirelessly with Lalique’s hundred-year-old manufacturing facility in Alsace to develop an exceptional vase, which will be unveiled before the end of 2025. When it comes to Lalique and its artists, the shared pages of long-established passion are still being written to this day.

© Adriana Tripa

Silvio Denz Executive Chairman of the Board of Directors Lalique Group

Wherever and whenever you take a LINDOR moment, it just seems to make life feel so much more sublime. When you unwrap LINDOR and break its delicate chocolate shell, the irresistibly smooth filling starts to melt, gently carrying you away in a moment of bliss. LINDOR, created by the Lindt Master Chocolatiers. Passion and Love for chocolate since 1845.

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NEWS

DEDICATED AUCTIONS 2025

RENÉ LALIQUE, ARCHITECT AND DECORATOR EXHIBITION 1 May to 2 November 2025

“We did not invent glass, [...], this is true, but in the history of art and civilisation, the merit, if not for an entirely new idea, then at least for its broad development that had long been put off, its practical application once tentative and limited, must be unequivocally attributed to the glassmaker artists of today: we wish to speak of its application in a broad sense, glassmaking as used in construction, decoration, all forms of interior and exterior design. It is you, glassmakers of the start of this century, who deserve the honour of having felt and immortalised those admirable resources enjoyed by architects and decorators alike through the use of this material, shiny or subtle as we desire it, solid and lenient, suitable for an almost infinite range of utilitarian or ornamental uses: it is you who should bask in the glory of having spread wide its use, to the benefit of constructors and the great joy of anyone with taste.” Thus spoke René Lalique of his passion for modern glassmaking in the preface to the album-guide for the International Exhibition of Modern Decorative and Industrial Arts held in Paris in 1925.

MUSÉE LALIQUE 40 Rue du Hochberg 67290 Wingen-sur-Moder, Alsace

From top to bottom: Pavot panel created in 1912, Musée Lalique collection © Studio Y. Langlois Poissons fountain, International Exposition of Art and Technology in Modern Life, 1937

LALIQUE Auction 01 May Live Online London

LALIQUE Auction 30 October Live Online London

RENÉ LALIQUE (1860-1945) BACCHANTES VASE, NO. 997 designed 1927 | opalescent | wheel-engraved R. LALIQUE FRANCE, engraved No. 997 £15,000-20,000 + fees To be offered 01 May 2025

For more information please contact Joy McCall +44 (0) 20 7930 9115 joy.mccall@lyonandturnbull.com

LONDON +44 (0) 207 930 9115 | EDINBURGH +44 (0) 131 557 8844 | GLASGOW +44 (0) 141 333 1992 | www.lyonandturnbull.com

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NEWS

But even before this, René Lalique had long been sure of the major role glass would play in architecture. As of the very start of the century, he was involved in the design of mansions, particularly the one on Cours Albert-Ier, which he had built for himself from 1902. He would quickly be called on to decorate boutiques as well, including the boutique of perfumer François Coty in New York in 1912. The design involved glass walls, doors, decorative panels, chandeliers, wall lights, mirrors, and even tapestries. His range extended to fountains, such as those in the roundabout on the Champs-Élysées, a commission from the city in the early 1930s indicative of the reputation René Lalique enjoyed at the time. His remarkably malleable talent was similarly evident in the number and diversity of his creations for the International Exhibition of Modern Decorative and Industrial Arts of 1925. The hundred-year anniversary of this emblematic event, which bore witness to a major stylistic renaissance, is the perfect opportunity for the Musée Lalique to shine a light on René Lalique’s taste for architecture and interior design, in all its many forms and with its all its many inspirations.

GLASS: SHINY OR SUBTLE AS WE DESIRE IT, SOLID AND LENIENT, SUITABLE FOR AN ALMOST INFINITE RANGE OF UTILITARIAN OR ORNAMENTAL USES

From top to bottom: Jet d'eau panel created in 1925, Musée Lalique – Long-term loan from Shai Bandmann and Ronald Ooi © Studio Y. Langlois Le Verrier panel created in 1925, Musée Lalique – Long-term private loan © Studio Y. Langlois

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NEWS

OLYMPIC MEDALS EXHIBITION MONNAIE DE PARIS 2024

Know what’s coming round the corner. #foresight

We proudly remember how Lalique created the bronze, silver, and gold medals for the 1992 Winter Olympic Games in Albertville. These were the first medals in the history of the Olympic Games to not be made of metal alone!

The decorative motif on the crystal beautifully portrays the snowy mountains of the Alps behind the five interlocking Olympic rings.

The bronze, silver, and gold frames are engraved with a stylised laurel branch.

In honour of the 2024 Paris Olympics, the Monnaie de Paris highlighted the history of the medals in its exhibition “Gold, Silver, Bronze: A History of the Olympic Medal”, which featured the iconic Lalique medals.

TALES OF THE MACALLAN II

In collaboration with The Macallan, Lalique presents Tales of The Macallan Volume II , a celebration of craftsmanship and heritage. This latest release, which marks 20 years of partnership with The Macallan, builds on Lalique’s legacy of creating exceptional decanters stretching back to the 1920s. Encased in an exquisite Lalique crystal decanter, this rare 1949 vintage whisky pays tribute to the founder of The Macallan, Alexander Reid, and his journey from teacher to farmer and distiller. The decanter is housed within an 852-page tome featuring illustrations by Andrew Davidson, for a truly remarkable collaboration blending art and whisky-making. Tales of The Macallan Volume II , available in a limited edition of 344 decanters, can be purchased from The Macallan Estate, The Macallan Boutiques, and premium off-trade retailers.

For us, always being one step ahead doesn’t just mean keeping up to date; it means aligning our vision and knowledge to what’s coming your way. After all, optimising your finances is our top priority. Our entrepreneurial approach, personal and holistic advice, and customised solutions make us unique.

cic.ch

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NEWS

NEW LALIQUE ADDRESS IN PARIS

Opened in October 2024, a new Lalique address is shining in the heart of Paris. Inside a beautifully curated 80m2 space spanning two floors, visitors can delve into the poetic world of Lalique and explore the brand’s novelties and iconic collections. To make the experience even more special, the boutique features a stunning mural, created in collaboration with Italian artist Roberto Ruspoli and inspired by some of Lalique’s signature motifs, to add a creative and immersive flair to the space. This unique setting celebrates Lalique’s timeless heritage while affirming its path towards creative innovation. Visitors wishing to live this exceptional moment can do so at 26 Rue Boissy d’Anglas, in the 8th arrondissement of Paris, until September 2025.

Forward-looking product design and craftsmanship with passion: the DATUM porcelain collection, which was designed by Foster + Partners, blends geometrical porcelain design, consistent functionality and skilled expertise in an exceptional tableware series – modular, individually combinable and stackable. DATUM is available in white in two variants: with a glossy glaze or with matt finish on the outside.

fuerstenberg-porzellan.com

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NEWS

LALIQUE IN SEOUL

For the first time ever in Seoul, South Korea, Lalique is presenting its iconic crystal collections on the ninth floor of the prestigious Shinsegae Gangnam Department Store, an iconic symbol of upscale shopping culture in Seoul’s modern Gangnam district south of the Han River. This premium venue often tops the charts for sales volumes in Korea, offering a variety of products combined with cultural facilities for a uniquely fresh shopping experience. Lalique is proud to work in partnership with the Shinsegae Group, one of the top luxury wholesalers in the world, as its exclusive retailer in South Korea.

FRAGRANCES BY CAMILLE & CHARLOTTE × MANE

Lavender, myrrh, gardenia, verbena, citrus, woods – an endless array of raw materials inspires our perfumers’ creativity worldwide. By virtue of our savoir-faire and our understanding of fragrance and beauty aspirations in every one of our markets, our original compositions instil scent memories to offer our consumers an extraordinary journey. Camille & Charlotte are the winners of the Capture What Moves photo competition held by MANE.

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ART & DESIGN

Alongside architect Rudy Ricciotti, international concrete star and master behind prestigious museums the world over, the crystal-making artisans of Lalique created Edificio , a hand-crafted vase celebrating a shared passion for the arts and the excellence of craftsmanship.

EDIFICIO The arts captured in crystal

E

BY MALIKA BAUWENS

dificio is the latest revelation in the Lalique Art collection, which has seen Lalique working in tandem with some of the greatest contemporary artists for more than a decade. The vase, which is the result of meticulous work by the finest crystal artisans, has a matte finish intertwined with textured and transparent strands, taking us on a dreamlike voyage rooted in the modern day. “The arts reflect the image of our country, honouring the memory and sharing of its expertise,” stated Rudy Ricciotti, known for his deep appreciation of craftsmanship.

©Karine Faby

PARTICULAR ATTENTION WAS PAID TO THE CORNERS, EACH OF THEM CUT TO ACHIEVE A UNIQUE BALANCE IN A MANNER AKIN TO MAGIC.

Created hand-in-hand with the Lalique artisans of Wingen-sur-Moder in Alsace, the piece he brought to life crystallises the meeting point of two types of savoir-faire : Edificio reflects the dream of an artist with the demand of an architect. The visual of the vase belies an extraordinarily complex construction created by Lalique’s master glassmakers, whose role was almost one of stonemason. Particular attention was paid to the corners, each of them cut to achieve a unique balance in a manner akin to magic – two measure exactly 90°, the third 87°, and the last

93°. As the ultimate technical challenge set by the architect, Edificio was designed to be the missing piece of a precious puzzle, slipping snugly into the trapezoid space left free at the entrance of Ricciotti’s emblematic Paris building. The very structure of the vase is ready to run away with imagination, metamorphosing as it fills with water; it begins to float, seemingly breaking free of its textured casing. For Rudy Ricciotti, concrete and crystal are alter egos: “The physical nature of the materials forces us to remain humble,” stated the 2006 winner of the Grand National Prize of Architecture. Edificio is a testament to his profound respect for the work shared between Lalique’s ateliers and the

architect, who found that “the atmosphere within Lalique was very receptive”. “I was proud to witness the expertise and dedication of this remarkable French establishment,” he said about his collaboration with the crystal artisans. “More than just artistic tradition, Lalique is a culmination of historic technical expertise.” After working on more than a hundred buildings around the world – stretching from Seoul to São Paulo, with French highlights including the famous Museum of European and Mediterranean Civilizations (Mucem) in Marseille in 2013, the 19M Fashion ateliers of Chanel in 2021, and the Musée du Grand Siècle in Saint-Cloud, which is planned for completion in 2026 – Rudy Ricciotti can now boast a first architectural exploit crafted from crystal, in the form of Edificio .

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ART & DESIGN

Rudy Ricciotti Born on 22 August 1952 in Algiers, Rudy Ricciotti has Italian roots. After finishing his studies in architecture in Marseille in 1980, he created his agency in Bandol, in the Var department of southern France. By 1994, he started making a name for himself with his concrete architecture for the Vitrolles Stadium. In 2006, he delivered his famous National Choreographic Centre, the “Black Pavilion”, in Aix-en-Provence. The master behind a hundred buildings worldwide, Rudy Ricciotti’s accomplishments include the Department of Islamic Arts of the Louvre Museum in Paris, the Mucem (Museum of European and Mediterranean Civilizations) in Marseille, and the “La Boverie” International Centre of Art and Culture in Liège, Belgium. His work has earned him many awards, including the Grand National Prize of Architecture in 2006 and the Gold Medal of the Academy of Architecture; he is also a Member of the Academy of Technologies, Commander of the Order of Arts and Letters, Officer of the French National Order of Merit, and Knight of the Legion of Honour. In 2021, he received the Auguste Perret Prize for Technology in Architecture from the International Union of Architects

(UIA). Rudy Ricciotti has also published a number of essays on his field, including L’Architecture est un Sport de Combat (‘Architecture is a combat sport’) (Textuel, 2013), Le Béton en Garde à Vue : Manifeste architectural et théâtral (‘Concrete in custody: an architectural and theatrical manifesto’) (Lemieux Éditeur, 2015), and L’Exil de la beauté (‘Beauty in exile’) (Textuel, 2019).

© Lisa Ricciotti ©Louis Teran

© Olivier Amsellem

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LALIQUE’S MAISON D’ARTISTE An immersive New York city flagship

BY SARAH LYON

On the Upper East Side of Manhattan, luxury and legacy reign supreme, making the neighbourhood a fitting home for Lalique’s immersive retail and lifestyle flagship, which opens its doors to clients, interior designers, architects and art collectors early 2025.

COLLECTION Hirondelles

3D render

WWW.THG-PARIS.COM

© THG PARIS 2024

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LIFESTYLE

Shades of green

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hile Lalique is primarily known for its rich history in France since its founding in 1888, the brand has maintained a notable presence throughout New York City even prior to the creation of this new flagship named “Maison d’Artiste”. The Fifth Avenue Coty Building, René Lalique’s only documented architectural work in the United States, boasts 276 Lalique glass panels. Contemporary Lalique installations grace the interior of renowned two-Michelin star restaurant DANIEL and Central Park Tower, the tallest residential building in the world. Lalique’s New York flagship is located within the historic Chopard Mansion, a five-storey townhouse situated on East 63rd Street between Madison and Fifth Avenues. Originally built in the late 1800s for the Bloomingdale family, the Beaux-Arts townhouse features an intricately carved limestone façade and elegant black metal accents. Jeweller and famed Tiffany & Co. designer Jean Schlumberger opened shop there during the mid-20th century; fifty years later, the property became the headquarters for Swiss jewellery brand Chopard.

Fabrics

Crystal dome

Fromental x Lalique wallpaper

Textures

Marc Larminaux, Artistic and Creative Director at Lalique, and Christos Prevezanos, Founder and Principal of the award-winning Studio Preveza, led the creative direction of the space. “With this flagship, we are crafting more than a retail space – we are creating a unique journey into the heart of Lalique,” comments Silvio Denz, Executive Chairman of Lalique Group. “We are thrilled to offer our valued clients and a new generation of collectors an inspiring experience that celebrates Lalique’s lifestyle and beauty.” Inside the Maison d’Artiste, guests will embark on an extraordinary journey through exquisitely curated spaces, like the Véranda des Sens, Salon d’Exploration, and Bar & Lounge, which evoke the intimacy of a refined private residence. Each area reflects a unique pillar of Lalique’s art of living. Further inside the space lies the Iconic Collections, an atrium dedicated to Lalique’s core artistry – captivating crystal creations. Here, new masterpieces mingle with iconic timeless pieces, each telling a story of craftsmanship and artistic excellence, many of which are influenced by Marc Larminaux’s visionary approach. The second floor of the property is home to both the Jewelry Salon, which encompasses many delicate crystal creations, and the Véranda des Sens, which invites guests on an olfactory journey. From the latest crystal limited edition perfumes to enchanting candles, each fragrance is an experience of the senses, capturing the essence of Lalique’s rich perfume heritage. Upon entering the townhouse, visitors are greeted by the Salon d’Exploration, a fluid, ever-evolving space showcasing Lalique’s latest collections.

3D render

Lauriers crystal panel

THE FIFTH AVENUE COTY BUILDING, RENÉ LALIQUE’S ONLY DOCUMENTED ARCHITECTURAL WORK IN THE UNITED STATES, BOASTS 276 LALIQUE GLASS PANELS.

Travertine

3D render

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LIFESTYLE

In the Jewelry Salon, an intimate space paying homage to René Lalique’s legacy as a master jeweller, each piece is a harmonious blend of tradition and contemporary design. To mark the opening of the Maison d’Artiste in the heart of New York City, Lalique has created the Manhattan necklace, a perfect interpretation of an original drawing by René Lalique. This unique white gold piece, entirely paved with diamonds, illustrates the famous New York skyline. The largest Lalique Art gallery to date fills the entirety of the third floor, featuring collaborations with globally renowned artists and designers such as James Turrell, Damien Hirst, and Zaha Hadid. The Lalique Interior Design Studio takes up residence on the fourth floor, a testament to the brand’s extensive custom capabilities of crafting creations in architectural contexts. The Maison d’Artiste is complete with bespoke crystal installations throughout, created by the Studio, echoing Lalique’s presence in five-star hotels, Michelin-starred restaurants, luxury cruise liners, and private residences around the world. As the first Lalique Interior Design Studio outside of Paris, it is a place for designers and architects to gather for inspiration and to build their own projects with the Lalique approach and savoir-faire . Also on the fourth floor is a bar and lounge adorned with sumptuous decor, offering an oasis of sophistication. Here, guests can enjoy a cocktail programme, experiencing the company’s co-branded spirits, as well as a special presentation of Vignobles Silvio Denz – the private vineyards owned by Silvio Denz himself. Marc Larminaux concludes: “The Maison d’Artiste was inspired by the interiors of art lovers, artists, and collectors who invite visitors to experience art and artisanship in an inspiring ‘home’ setting. Like an artistic hub, this welcoming venue fosters collaboration and connection, serving as a place for celebrating artistry and sharing creative inspiration.”

MANHATTAN NECKLACE, A PERFECT INTERPRETATION OF AN ORIGINAL DRAWING BY RENÉ LALIQUE. THIS UNIQUE WHITE GOLD PIECE, ENTIRELY PAVED WITH DIAMONDS, ILLUSTRATES THE FAMOUS NEW YORK SKYLINE.

Colour palette

A bar and lounge adorned with sumptuous decor

3D render

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OCT

LALIQUE & CHÂTEAU LAFAURIE-PEYRAGUEY Coming together for a voyage from Alsace to the Sauternes region

Excellence in Beauty Packaging . Collars Closures Flacons Pumps . .

BY VALÉRIE LAVIGNE

In the world of fine table settings, few objects create a truly unforgettable sensory experience... In order to transform a simple wine tasting into a true ritual of elegance and sophistication, Lalique has created a highly exclusive limited edition decanter for the 2021 vintage from Château Lafaurie-Peyraguey.

AWANTYS Group Berta-Schulz-Str. 8 51674 Wiehl Germany +49 22 62 72 40 0 info@awantys.com awantys.com . . . . .

Châ teau Lafaurie-Peyraguey © Deepix

SPIRITS

THE TWINKLING OF THE WINE, GLEAMING GOLD IN ITS SPARKLING CRYSTAL CARAFE, IS ECHOED IN THE TINKLING OF THE GLASSES, RAISED TO THE WINEMAKERS AT CHÂTEAU LAFAURIE-PEYRAGUEY.

T he story behind this new collaboration between Lalique and Château Lafaurie-Peyraguey, a winemaking estate in the Sauternes region of France which achieved Premier Grand Cru Classé certification in 1855, takes us back to 2021. The vineyard, now a part of Lalique Group, had weathered an especially complex year, requiring the experience and expertise of a stellar team able to rise to the challenges it faced. The freezing conditions throughout April meant that the 2021 grape harvest in Sauternes was particularly paltry. The team had to decide on an appropriate response to this – but what? Give up on the idea of excellence? Or meet the situation half-way, taking a risk on producing a low-quantity but singularly delicious batch? The cold April month gave way to a cool and dry summer, which delayed the colonisation of a key wine grape fungus – Botrytis cinerea , more commonly known as “noble rot” – which increases the sugar and acidity in the grapes to the extent needed for Sauternes wine. The rainfall in mid-September then encouraged its proliferation in perfectly ripe and suitably sweet grapes, which had higher acidity than previous vintages. The first triage, which found very few grapes ready for use, took place in early October, just before a new period of rain set in. Anticyclonic conditions then returned, with a northerly wind that promoted a faster concentration of botrytised grapes left on the vines. The second triage, which was higher in quality, took place on 10 and 11 October. A third and final triage was then possible at the end of the month.

Immense determination, perseverance, and patience were thus needed to create this divine dessert wine in 2021 – but the Château Lafaurie-Peyraguey team was more than up to the task! To provide a perfect receptacle for the precious elixir – which obtained a perfect score of 100/100 from famous wine critic James Suckling – Lalique dreamed up a unique crystal decanter inspired by a wine bottle. Following the blown pressed technique, the carafe was sandblasted and repolished at its centre, which cultivated an incomparable satin finish that is silky to the touch. The label for the 2021 vintage, designed by Marc Larminaux, Lalique’s Artistic and Creative Director, has been engraved into the very crystal itself, ensuring that the carafe is associated with this wine for all eternity. Those lucky enough to taste this 2021 vintage will be treated to a perfectly pure nose, interspersed with intense pops of candied citrus, citron, and bergamot orange, blended with notes of fresh pineapple and apricot. In the mouth, mellow notes, as fresh as they are flavourful, reach the palate with the lightest of touches.

Tasting notes by James Suckling 2021 vintage: 100/100

The transparency of this is incredible. It’s like drinking glacier water but with so much white pepper, clove, dried mushroom and spice character. Intense and pure and so perfect. Showing incredible botrytis character. It’s full-bodied, lightly oily, sweet but doesn’t seem overly sweet. Balanced and bright. It’s perfection. Historic vintage. Magic. 180 g/L residual sugar. Drink it now and marvel, but it will age for decades, possibly forever. Only 6,000 bottles made.

VALÉRIE LAVIGNE, CONSULTANT OENOLOGIST FOR CHÂTEAU LAFAURIE-PEYRAGUEY, WORKED HARD TO CREATE THIS FABULOUS 2021 VINTAGE. IT IS THANKS TO HER AND THE TEAM AS A WHOLE THAT THIS REMARKABLE WINE WILL GO DOWN IN HISTORY.

With only 100 pieces produced, this decanter is a celebration of elegance à la française .

The twinkling of the wine, gleaming gold in its sparkling crystal carafe, is echoed in the tinkling of the glasses, raised to the winemakers at Château Lafaurie-Peyraguey – recognized as a High Environmental Value (HEV) certified estate.

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SPIRITS

A SCOTTISH DOWER HOUSE TO CALL HOME

Aberturret Estate House, a six-bedroom dower house in Perthshire now available for exclusive hire, marks a significant milestone in The Glenturret Distillery’s continued transformation into a distinguished luxury brand, while embodying the enduring hallmarks of Lalique: a deep respect for tradition, coupled with an unwavering passion for artistry.

BY CATHY HAWKER

©Agi Simoes & Reto Guntli

© MarkSeager_SimplePhotography

©Agi Simoes & Reto Guntli

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A s the physical and symbolic heart of The Glenturret, Aberturret Estate House is much more than just a luxurious retreat; it represents a brand home that bridges the ages, bringing a modern vision of elegance and sophistication to the rich heritage of Scotland’s oldest working distillery. Here, guests step into the very essence of The Glenturret’s identity – a place where the legacy of centuries meets the promise of the future. When Silvio Denz, Executive Chairman of Lalique Group, and Swiss businessman Hansjörg Wyss acquired The Glenturret Distillery in 2019, their vision was clear: to honour the Estate’s historic legacy while pioneering its future. The newly acquired dower house is a seamless extension of this vision – a meticulously refurbished, warmly inviting private residence offering its guests an unparalleled experience. More than just a destination, the Estate is where the story of The Glenturret is continuously crafted, where its future as a leader in the luxury spirits industry is forged. The Glenturret, Scotland’s oldest working whisky distillery, was founded by the Murray Clan in 1763 and has been a guardian of tradition ever since. The Estate’s deep connection to Scottish history is rooted not only in the distillery’s traditional craft – under the stewardship of Lalique Group and Hansjörg Wyss, the institution continues to produce world-renowned whisky with an eye for excellence to this day – but also in the very stones of Aberturret Estate House. This nineteenth-century dower house tucked away in the Estate’s lush woodlands offers complete seclusion while remaining at the heart of The Glenturret experience.

THE VISION, DEVELOPED BY WILL NOLAN, CELEBRATES TRADITIONAL SCOTTISH ICONIC DESIGN ELEMENTS WITHOUT SLIPPING INTO STEREOTYPES, USING TACTILE FABRICS FROM QUINTESSENTIAL BRANDS.

ABERTURRET ESTATE HOUSE CAN ACCOMMODATE UP TO TWELVE GUESTS IN ITS SIX ENSUITE BEDROOMS, WHERE EVERY ELEMENT REFLECTS THE GLENTURRET’S COMMITMENT TO CRAFTING EXCEPTIONAL EXPERIENCES.

© MarkSeager_SimplePhotography

Throughout its storied history, The Glenturret has welcomed many distinguished guests, from the revered poet Rabbie Burns to the current Prince and Princess of Wales, William and Catherine. Now, for the first time, guests can follow in their footsteps and extend their sojourn at Aberturret Estate House, soaking in the grandeur of its past while enjoying the finest contemporary comforts. Here, visitors have the unique opportunity to connect with the brand on a deeper, more personal level. Opened for exclusive hire in spring 2024, Aberturret Estate House can accommodate up to twelve guests in its six ensuite bedrooms, where every element, from meticulously restored interiors to an artful blend of tradition and contemporary design, reflects The Glenturret’s commitment to crafting exceptional experiences. The vision, developed by Will Nolan, celebrates traditional Scottish iconic design elements without slipping into stereotypes, using tactile fabrics from quintessential brands like Harris Tweed and Lovat Mill, complemented by calming colour palettes inspired by the surrounding nature. Art aficionados will find much to admire in the selection curated by The Fine Art Society of Edinburgh. The dining room, with its grand table that can seat twelve, is graced by John Thomson’s atmospheric Innerwick Castle , alongside works by The Glasgow Boys and abstract pieces by John McLean, making every meal as much a feast for the eyes as the palate.

“I am proud we can breathe new life into this classic Scottish estate house entwined with all the history of the Murray Clan,” says Silvio Denz. “It provides our guests with a unique experience – one that is unmatched in Scotland – and joins our other establishments in providing the very finest in hospitality and gastronomy.” By establishing Aberturret Estate House as the brand home, The Glenturret is making a bold statement. What is being written is not just the next chapter in The Glenturret’s story – it is the foundation upon which the brand’s future success will be built, symbolising the distillery’s journey from historic whisky maker to global luxury icon.

© MarkSeager_SimplePhotography

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Capturing The Glenturret: The Lens of David Yarrow The Glenturret’s timeless charm was magnificently captured by award-winning photographer David Yarrow and his love of storytelling. The series of black-and-white photographs offers a visual journey through the distillery’s history, blending past and present in a sequence of evocative images. Yarrow’s work, like The Glenturret itself, is an ode to Scotland’s

“The Glenturret, located on the banks of the River Turret, has a picture-perfect charm that eludes many working distilleries in 2024,” says Yarrow. “The owners wanted a love letter to its celebrated past; looking at old museum pictures, not much has changed in the façade and the courtyard over the last 120 years. Such is the local pride in the distillery, that attracting locals to work on the shoot was as easy as sampling their products when we were wrapped.”

The Aberturret Gin: A Tribute to Scottish Heritage

In keeping with The Glenturret’s tradition of innovation, The Aberturret Gin was created as a homage to the Estate’s Scottish roots. This small-batch, hand-crafted gin, named after the dower house, embodies the spirit of the Murray Clan, who took on juniper as a symbol of their bravery in battle. The gin’s complex flavour profile is enhanced by locally foraged botanicals, including sumac, chamomile, and pine, identified by Mark Donald, head chef at the two-Michelin starred The Glenturret Lalique Restaurant. Combining time honoured distilling techniques with these well-balanced flavours, The Aberturret Gin also adds The Glenturret Single Malt New Make Spirit to amplify its richness and complexity, bridging the heritage of gin with its origins in genever.

enduring traditions, providing a clear if somewhat surreal link to the workers’ own ancestry – many of their forebearers would have worked in the very same low-rise buildings – echoed by Yarrow’s own childhood spent close to the Crieff distillery.

©David Yarrow

Presented in a striking deep green bottle designed by Claudio Denz and Lalique’s Artistic and Creative Director Marc Larminaux, The Aberturret Gin has already started earning accolades, including a Gold Award at The World Gin Awards 2024 and a Master Medal in the Ultra Premium category at this year’s Spirits Business Gin Awards. Additionally, it won fulsome praise from Joel Harrison and Neil Ridley, authors of The World Atlas of Gin, for its connection to the Highlands and its “balanced, unctuous and rounded” flavour. A fitting tribute to the marriage of fine tradition and modern luxury that defines The Glenturret today.

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©David Yarrow

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BELUGA EPICURE SERIES II

BY JOHN BRUNTON PHOTOS BY QUENTIN VALLEYE

An audacious collaboration between the master distillers and blenders at Beluga vodka and the visionary designers and artisans at Lalique crystal marks a new step in the relentless pursuit of excellence, with an exclusive addition to their limited edition spirit and decanter collection taking the brands to new heights.

From the first synthesis of vanillin exactly 150 years ago to Frostwood™ - our 100% renewable, 100% biodegradable, 100% upcycled captive - we have been a leading innovation center, pioneering green chemistry and inspiring the latest fantasies in advanced science. We are constantly exploring new olfactive horizons and developing groundbreaking molecules to meet the evolving needs of the market and address the sustainability challenges.

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C onnoisseurs of Beluga’s exceptional vodka and admirers of Lalique’s

The field-to-table journey then continues across to Beluga’s headquarters in Montenegro, nestled on the Adriatic Riviera. As a country, Montenegro is nothing short of a natural paradise, the first in the world to constitutionally declare itself an “ecological state”, making it the ideal location to complete the production of super premium vodkas. Here, the spirit is meticulously blended for the new Epicure Series, then allowed to rest for some hundred days before being transformed into Beluga’s hallmark Noble Spirit, ready for its breathtaking crystal decanter created by the master glassblowers of Lalique.

precious crystal decanters now have the opportunity to add to their treasured collection with one of the 888 handcrafted pieces, each engraved with a unique serial number, unveiled in the new Epicure

Tasting notes The vodka opens with a lively and crisp grainy profile, evoking the fresh aroma of finely milled wheat. As it unfolds on the palate, the taste transitions smoothly to notes of ripe fruit. The experience is then elevated by a delicate hint of honey, lending a gentle, lingering warmth with a velvety texture that coats the inside of the mouth. Together, these flavours harmonise in a well-rounded finish, leaving a soft aftertaste. Purity is the secret of the unmatched refinement of Beluga vodka. Its long journey to perfection begins in the fertile wheat plains stretching across vast expanses of the Baltic states, where Beluga’s experts select only the finest grain grown by certified organic bio-farms. The wheat is then painstakingly transformed into alpha-grade neutral grain spirit, the base of Beluga vodka, at the historic Kalsnava distillery in Latvia. The most pristine spring water is drawn from artesian wells deep beneath the surface, while the grain is painstakingly distilled six times in towering state-of-the-art tanks, filtered and cleansed through birch coal and quartz sand. Series. The theme of this new edition is pure and simple: water, that defining element essential to both crystal and vodka, which has created an alchemy between Beluga and Lalique.

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On the other side of Europe, in Lalique’s heritage workshops tucked away in the dense forests of Alsace, France’s top crystalmakers are also reaching the end of their own creative journey, devising not just a decanter, but a precious work of art that Marc Larminaux, Lalique’s Artistic and Creative Director, describes as “a reflection of an art de vivre , the alchemy when two luxury brands, both renowned for their craftsmanship, innovation and excellence, collaborate so effortlessly”. Together with Lalique’s designers and master glassblowers, Larminaux was initially inspired by the key element of Beluga vodka, quite simply, water. “We conceived a decanter in the shape of a pristine crystal drop of water,” he explains, “with a clear polished drop in the middle of the carafe surrounded by two female figures from the Bacchantes vase designed by René Lalique himself in 1927. My team delved into the archives and reinterpreted one of his most iconic Art Nouveau motifs, allowing the dancing priestesses of Bacchus to take centre stage of the creation.” To achieve its unique aesthetic, the decanter passes through ten specialised hot glassblowing workshops before reaching its final form, with the finishing touch of a dramatic blue cap symbolising the crisp caress of the freshest spring water. The Epicure Series is inspired by the Ancient Greek philosopher, Epicurus, embodying the art of savouring the fleeting beauty of each moment. This ethos is expressed in both Lalique’s exquisite decanter and Beluga’s dedication to creating a remarkable spirit.

THE EPICURE SERIES IS INSPIRED BY THE ANCIENT GREEK PHILOSOPHER,

EPICURUS, EMBODYING THE ART OF SAVOURING THE FLEETING BEAUTY OF EACH MOMENT.

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A DECANTER IN THE SHAPE OF A PRISTINE

CRYSTAL DROP OF WATER, WITH A CLEAR POLISHED DROP IN THE MIDDLE OF THE CARAFE SURROUNDED BY TWO FEMALE FIGURES FROM THE BACCHANTES VASE DESIGNED BY RENÉ LALIQUE HIMSELF IN 1927.

Extraordinary packaging for luxury brands.

Model Kramp GmbH Otto-Hahn-Straße 41 D - 63456 Hanau (Steinheim) T +49 (0) 6181/67 50-0 F +49 (0) 6181/67 50-267 info.de@modelgroup.com

Bureau de Paris 18, rue Mathilde Girault F - 92300 Levallois-Perret T +33 (0)1 47 57 93 13 F +33 (0)1 47 58 61 83 modelgroup.com

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DECORATIVE OBJECTS

VASES, BOWLS, CARAFES, SCULPTURES, VOTIVES, AND CANDLES CULTIVATE STRIKING CONTRASTS TO ENCAPSULATE THAT CREATIVE DESTRUCTION, THE OXYMORON AT THE HEART OF THE COLLECTION.

TERRAMINERAL The power of the Earth

BY MALIKA BAUWENS

In 2025, Lalique is setting off on a cycle of exploration around the four natural elements. This back-to-basics journey is beginning with Terramineral , a collection whose beauty pierces through the cracks...

©Fabien Voileau

©Fabien Voileau

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I n the beginning, there was the Earth. On the Earth, there was sand. When heated to very high temperatures, this mineral metamorphoses into crystal. With this in mind, Terramineral , Lalique’s latest collection, offers a sensation stripped back to its essentials. To be revealed with the first rays of the spring sun in 2025, this brand-new exploration, inspired by Earth, is the first in a cycle of collections from the crystal-making House, which will celebrate each of the four natural elements in turn. “In line with the purest naturalist approach of René Lalique, who founded the House in the late nineteenth century, I chose to work on a design that would express how powerful yet delicate the Earth can be,” explained Marc Larminaux, Artistic and Creative Director at Lalique. Vases, bowls, carafes, sculptures, votives, and candles cultivate striking contrasts to encapsulate that creative destruction, the oxymoron at the heart of the collection.

Living Earth Taking inspiration from the impressive frescos proffered by nature – soils rolling in eternal cycles, the Earth transformed with rock hewn into jagged volcanic peaks – this telluric energy was transposed into intensely poetic pieces: “I worked the faults in the Earth, digging through its rugged brightness,” Larminaux added. “The Earth carries memories, a fragile beauty formed by the breath of the elements and sculpted by the trickling of water, from which life is reborn.” Fitting, as these cracks, arid as they may seem, lead to new growth. Sketches became moulds, developed in secret thanks to Lalique’s remarkable expertise stretching back over 130 years.

THE TWO COLOURS CHOSEN FOR THIS COLLECTION, PERSEPOLIS BLUE AND CANYON, HARMONIOUSLY COMPLEMENT THE CLEAR CRYSTAL IN THIS TRIBUTE TO NATURE PAID BY THE CRYSTAL ARTISANS.

©Fabien Voileau

Poetic cracks and mineral faults Like soil in motion, this mineral mosaic has been frozen in crystal for eternity. Thus were born the two prodigious designs embodying the lines of the Terramineral collection. The first, a poetic crackled effect, mirrors a vast volcanic crater, soft soil slipping into a delicate mosaic, unearthing a remarkable visual carved out over time. As a true promise of new beginnings, this cracked earth yields new life as water trickles along its delicate furrows. The second, mineral faults, forms a series of artistic fractures bearing the marks of the Earth’s geological history, the very representation of its fallible power. “The challenge we had with the Lalique artisans in Alsace,” Larminaux continued, “was to show the Earth in its very essence, paying tribute to its well of creativity.” The two colours chosen for this collection, Persepolis blue and Canyon, harmoniously complement

the clear crystal in this tribute to nature paid by the crystal artisans.

©Fabien Voileau

© Hubert de Castelbajac

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Tracing the flared lines of a vast volcanic crater, the vases, bowls, votives, and Caldera carafe were shaped by the master glassmakers of the Lalique factory in Wingen-sur-Moder, Alsace. In the cold glass workshops, expert hands spent hours tirelessly sanding, polishing, and satin finishing the pieces... the painstakingly precise final look was achieved through a confidential technique divided into seven specific steps. A special touch was added to the Caldera carafe, with a multi faceted stopper produced using an injection of molten crystal. The result is a volcanic play on contrast, with simply sublime eruptive light effects in the centre of the design. Inspired by the movement of tectonic plates and geological faults, the Magnitude vases shine with the House’s characteristic elegance, a jewel in the Terramineral collection. To capture the impression of fractured stone, Lalique’s artisans pressed molten crystal into a mould. In the cold glass workshops, the vases and Minéral candle – with a unique fragrance combining notes of wood, leather, and minerals – underwent a particularly meticulous process to make each furrow flawless. To the human eye, each ray of light that passes through the crystal draws with it an intense contrast. Through exclusive expertise, a limited edition collection of 45 Magnitude vases will find themselves adorned with 250 leaves of 22-carat gold, each inserted individually in the crevices of these precious faults using a brush. The artisans demonstrated superhuman patience for their sixteen-step process covering the preparation of the piece to the addition of protective varnish; in total, 45 hours of work went into this treasure.

Within this living landscape, fauna has quite naturally taken its rightful place. Perched on a rocky promontory, its skin clear or Persepolis blue, the ibex dominates this Lalique décor. At the same time, the elephant calf, prince of the wild expanses, dries off its leathery skin after a mud bath. This wise instinct allows the animal to keep cool and protect itself, in one of the eternal rituals still found on this Earth.

"I WORKED THE FAULTS IN THE EARTH, DIGGING THROUGH ITS RUGGED BRIGHTNESS THE EARTH CARRIES MEMORIES, A FRAGILE BEAUTY FORMED BY THE BREATH OF THE ELEMENTS AND SCULPTED BY THE TRICKLING OF WATER, FROM WHICH LIFE IS REBORN." MARC LARMINAUX

©Fabien Voileau

© Hubert de Castelbajac

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